Hey, friends! It's time for a brand-new episode of Mousterpiece Cinema, and this time around, Josh and Scott are headed to the woods to explore the long-ago past when man and bear.weren't able to co-exist very peacefully without the help of a few Phil Collins songs and a magical spell or two.
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Does this movie hold up after 25 years? Is it remotely fair that Angela Bassett and Laurence Fishburne have only ever been nominated for Oscars for just this film? Will Proud Mary keep on turnin'? You'll have to check out the show to find out! Note: Apologies in advance for the fact that you're going to hear some outside background noise in this episode-as much as possible has been removed (without making it impossible to hear the conversation), but you can blame Skype for this one. Scott and Josh are joined by Craig Lindsey of Nashville Scene and The Village Voice to talk about the blend of musical performances and harrowing display of spousal abuse, and why Scott dislikes how biopics end with the real person showing up at the end. Specifically, they're talking about the 1993 biopic of Tina Turner, What's Love Got To Do With It, which depicts the rise of young Anna Mae Bullock into one of the biggest rock stars in the world, but only after surviving an intensely abusive relationship with songwriter/guitarist Ike Turner. Hey, folks! It's time for yet another brand-new episode of Mousterpiece Cinema, and this week, Scott and Josh are taking the spotlight for a musically themed movie. Instead, we're digging in deep into why the film struggles, whether or not it's an impossible task to improve upon the original, and why it's not a good thing that Ben Whishaw gives the film's best performance. (Because why else do you make a sequel to an old movie if not to have extreeeeeeeme stunts?) Scott and Josh are joined by friend of the show Kristen Lopez to talk about this new film, and while we wish we could tell you that we think this film is practically perfect, we.uh.don't. This sequel to the 1964 classic that made a star out of Julie Andrews stars Emily Blunt, Lin-Manuel Miranda, two Paddington Bears, and a whole lot of BMX bikes. Hey, folks! Get out your kites and balloons, and keep an eye out on the lovely London sky, where you just may see a proper English nanny fly down with an umbrella! It's time for a new episode of Mousterpiece Cinema, and to end 2018, we're talking about one of Disney's biggest gambits of the year, Mary Poppins Returns.
Yes, Josh and Scott find out the hard way that a lot of the Disney shorts of the early 1930s tread similar ground, but how many of them stand out nearly 90 years later? Are there any awkward depictions of racial stereotypes? And speaking of racial stereotypes, keep an ear out for some time-specific references to the Golden Globes and how excited your hosts are when a certain film about old-fashioned race relations wins big! These shorts, which premiered between 19, span everything from the days when Mickey Mouse and his sweetheart Minnie played music and danced around in synchronized movement to.the days when Mickey and ayed music.and danced around.in synchronized movement. Hey, folks! It's time for a brand-new episode of Mousterpiece Cinema, and the first podcast that we recorded in 2019! (Not the first episode of the year, to be fair.) It's time for one of our sporadic deep-dives into the Walt Disney Treasures collections of DVDs, this time talking about Mickey Mouse in Black and White, Volume Two.
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